[eBook] [PDF] For Cuban Music Counterpoints 1st Edition By Marysol Quevedo

Cuban Music Counterpoints maps the intellectual and artistic networks Cuban composers forged between 1940 and 1991 by exploring moments–concerts, festivals, recordings–that shed light on how they negotiated aesthetic and political agendas at local and international levels. Beginning with the modernist neoclassicism of the Grupo de Renovación Musical in the 1940s and its Pan Americanist backdrop, the book moves through the more turbulent 1950s, when a more politically engaged organization, the Sociedad Cultural Nuestro Tiempo, promoted contemporary socially engaged art of Cuba and the Americas. Their activities set the stage for the post-1959 Revolutionary period of aesthetic and political experimentation in the 1960s, subsequent institutionalization of the 1970s, and the pluralist global turn of the 1980s.

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[eBook] [PDF] For Cuban Music Counterpoints 1st Edition By Marysol Quevedo